Fleda came to the sofa in obedience to the impulse to sit down by her; then paused before her while Mrs. Gereth turned up a dead gray mask. A tired old woman sat there with empty hands in her lap. "I've heard nothing," said Fleda. "No answer came." Fleda saw perfectly, and, with a face in which she flattered herself that nothing of this vision appeared, gave him her hand and said: "Good-bye, good-bye."!

These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" In spite of this sharpness they were now almost equally and almost tremulously mild; though their mildness took mainly the form of an inevitable sense of nothing left to say. It was the unsaid that occupied them—the thing that for more than an hour they had been going round and round without naming it. Much too early for Fleda's train, they encountered at the station a long half-hour to wait. Fleda made no further allusion to Mrs. Gereth's leaving her; their dumbness, with the elapsing minutes, grew to be in itself a reconstituted bond. They slowly paced the great gray platform, and presently Mrs. Gereth took the girl's arm and leaned on it with a hard demand for support. It seemed to Fleda not difficult for each to know of what the other was thinking—to know indeed that they had in common two alternating visions, one of which, at moments, brought them as by a common impulse to a pause. This was the one that was fixed; the other filled at times the whole space and then was shouldered away. Owen and Mona glared together out of the gloom and disappeared, but the replenishment of Poynton made a shining, steady light. The old splendor was there again, the old things were in their places. Our friends looked at them with an equal yearning; face to face, on the platform, they counted them in each other's eyes. Fleda had come back to them by a road as strange as the road they themselves had followed. The wonder of their great journeys, the prodigy of this second one, was the question that made her occasionally stop. Several times she uttered it, asked how this and that difficulty had been met. Mrs. Gereth replied with pale lucidity—was naturally the person most familiar with the truth that what she undertook was always somehow achieved. To do it was to do it—she had more than one kind of magnificence. She confessed there, audaciously enough, to a sort of arrogance of energy, and Fleda, going on again, her inquiry more than answered and her arm rendering service, flushed, in her diminished identity, with the sense that such a woman was great.

"I must take it on trust," the girl pursued. "And what if Mona doesn't give you up?" she added. Mrs. Gereth jumped at this. "So that she'll break altogether if I keep them?" "To succeed, it must be all me!"